Smoke Filled Mirror is a photographic exploration that delves into the intricate world of a travelling circus documented over a two-year period. This project captures the essence of transient performers who, while enchanting audiences with their art, lead lives shrouded in enigma. The title, Smoke Filled Mirror, symbolises the duality inherent in the circus realm - the mesmerising spectacle presented to spectators contrasted with the concealed realities of the performers' existence. Through this series, I aim to unveil the human facets behind the circus's facade, highlighting moments of camaraderie, solitude, preparation, reflection, and community - a family that spans generations. The decision to immerse myself in the circus community was driven by a desire to authentically document their way of life. Living among the performers allowed me to gain their trust, granting access to intimate moments that reveal the depth of their dedication and the challenges they face. The circus demands constant care, like a living, breathing creature. Each person in the circus is just as important as the next, everyone a cog in the machine to keep the community alive and healthy. The performer flying through the air on a trapeze at night might be cooking sausages for everyone the next morning. The same individuals who thrill audiences in the Globe of Death might spend their afternoons breaking down a lorry, mending its chassis, and rebuilding it. This communal effort underscores the profound interconnectedness and mutual reliance within the circus. The members of the circus formed a close-knit community, a family of people from all around the world. The circus was run by a Bulgarian family, with performers from Ukraine, South America, Eastern Europe, Russia, Kyrgyzstan, and beyond. Their diversity enriched the community, creating a tapestry of shared traditions, languages, and cultures that defined their transient way of life. In a time where the concept of community often feels fragmented or absent, the circus emerged as a microcosm of connection and resilience. It became a space where a sense of home was created through shared experiences, mutual support, and a collective spirit that transcended their transient existence. In terms of composition and aesthetic, I employed a blend of candid shots and structured portraits, utilising natural light to enhance the authenticity of each scene. This method was chosen to reflect the raw and unfiltered nature of circus life, capturing both its ephemeral beauty and inherent hardships. Smoke Filled Mirror not only documents a unique subculture but also prompts reflection on broader themes such as identity, performance, and the human condition. By presenting this work, I aspire to offer viewers a nuanced perspective on the lives of circus performers, challenging preconceived notions and cultivating a deeper understanding of their world. One of the images from Smoke Filled Mirror has been selected as a winning image for this year’s Portrait of Britain award, held by The British Journal of Photography. This recognition underscores the depth and resonance of the stories captured within the project. As this project culminates in a book set for release in early 2025, I am eager to share these narratives with a wider audience, inviting contemplation on the delicate balance between illusion and reality that defines the circus experience.