How to portray reality as faithfully as possible? Detached, neutral, detached, descriptive, with clear lines and surfaces, sleek and simple image compositions. This reality is also recognizable and detailed and one can discern a warm fascination for the architectural playfulness. Even though the images look fairly closed, the detailed complexity invites you to walk in the image and look closely. Houses where people took a really good look at them for the first time that you could not ignore them, even if they walked past them every day. A neutral, dry and anonymous way of recording, which, as Gerry Badger writes in his book The Genius of Photography, was reminiscent of the photography in the window of a real estate agency. That the images are no more than a cool registration of the external appearances of streets and buildings is only apparent. They also show some empathy. The photos also reveal aspects of the lives of its inhabitants. The photos show personality, a soul perhaps, gently touch the life that takes place behind the facades and on the street. They provide an insight into the culture of the Sicilian in an unemphatic way. And with that, in the paradox of architecture, the beauty of freedom and the progressivity of the delay. As Stephen Shore said: ‘To see something ordinary, something you’d see every day, and recognize it as a photographic possibility - that is what I am interested in. A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.’ How to portray reality as faithfully as possible? Detached, neutral, detached, descriptive, with clear lines and surfaces, sleek and simple image compositions. This reality is also recognizable and detailed and one can discern a warm fascination for the architectural playfulness. Even though the images look fairly closed, the detailed complexity invites you to walk in the image and look closely. Houses where people took a really good look at them for the first time that you could not ignore them, even if they walked past them every day. A neutral, dry and anonymous way of recording, which, as Gerry Badger writes in his book The Genius of Photography, was reminiscent of the photography in the window of a real estate agency. That the images are no more than a cool registration of the external appearances of streets and buildings is only apparent. They also show some empathy. The photos also reveal aspects of the lives of its inhabitants. The photos show personality, a soul perhaps, gently touch the life that takes place behind the facades and on the street. They provide an insight into the culture of the Sicilian in an unemphatic way. And with that, in the paradox of architecture, the beauty of freedom and the progressivity of the delay. As Stephen Shore said: ‘To see something ordinary, something you’d see every day, and recognize it as a photographic possibility - that is what I am interested in. A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.’