"Are we two strangers now" is a visual exploration of the pain and disorientation caused by “ghosting” — the sudden, one-sided ending of all contact by a loved one, without explanation. This contemporary phenomenon, amplified by social media, particularly affects young people and exposes the fragility of digital relationships. The images capture the stillness and confusion that remain when intimacy abruptly turns into distance. What begins as the pain of a broken friendship evolves into a quiet reflection on how we lose one another in an age of distance and pride. The series stems from a personal experience with ghosting, yet touches on a broader cultural condition. We live in a time where connection gives way to individualism and mental uncertainty. Amid the noise of opinions and endless stimulation, nuance, vulnerability, and sincere curiosity seem to fade — and loneliness quietly takes their place. Through my own story, I explore what it feels like to be suddenly erased, while searching for metaphors of forgiveness and resilience. My visual language is both clear and unsettling. I work with domestic scenes from my apartment — spaces that appear familiar, yet through light, framing, and rhythm acquire a tense, almost suffocating atmosphere. The surreal sense of alienation reflects my own experience of being abruptly cut off. Everyday settings become mirrors for the viewer, who may recognize their own emptiness or unease within them. In mood and composition, the work echoes Edward Hopper’s sense of urban solitude and quiet contemplation. What began as a personal process of healing has grown into a response to the increasing harshness and polarization of contemporary life. In a world where contact is often instrumental, "Two Strangers Now" searches for the poetry of slowing down. The series makes space for silence, vulnerability, and the courage to begin again. It reminds those who felt abandoned that in a society drifting toward disconnection, they are not alone in their longing for closeness and understanding.