I choose the city's entrances. The no-man's-land areas, the city's outskirts, the edges of the city. Margins. I wander day and night. I return to those places - back and forth. Day and night allow different points of view. This constant movement turns me into a permanent nomad and the places I visit into clusters of refuge. The space allows me to examine the significance of nature photography in these areas and in this age. This search assumes that nature is a product of the behavior of the man who sows destruction and who occupies territory. The strange and the unknown are reflected in the photographs in full and in vast detail. This vastness contains traces of human contact and human presence in retrospect. These residues, which do not contain human beings, enable assimilation, submerging the subconscious, whether from the photographed place or from the viewer's soul. The work is created through analog and chemical procedures only, and through working with cameras in medium formats and different types of films and development procedures. Working in this manner, allows me to stall and pause in front of the objects photographed before and after I choose them.