The one represented in "Hello Dolly" is a near future in which humanity is lost and all that remains is a frightening doll. It wanders in an apocalyptic scenario of degradation and cement. The Earth is a pile of empty and abandoned buildings. Dolly is the metaphysical protagonist inspired by the anthropomorphic mannequins of Giorgio De Chirico.

Her body is an empty form without a soul, a case full of vaguely human images, memories and sensations; an intellectual projection of man. Her anonymous plastic shapes make humanity's sense of bewilderment even stronger, becoming a symbol of the consumerist era that has brought the world to its knees, to its void.

Cinematic and literary suggestions are the basis of every image, in which the strong reference to the sci-fi settings of Philip Dick and following dystopian visions stand out. These are the symbols of consumerism. Stripped of their function, they become totems worshiped by an inanimate doll, and showing a cross-section of a future that is inexorably approaching.