For once, it’s him who is undressed. Passive, he consents to the injunctions of the woman’s voice that emanates from the computer, guiding him in his poses. The pictures were taken during Skype video chats that lasted between 15 and 45 minutes. During these sessions, any participating man would undress and had to be bare-chested at the very least. On one condition: anonymity. No physical criteria, nothing pre-defined. They cannot see the photographer who photographs her screen and, through it, men she never met before, in their bedrooms. They are directed from a distance. They don’t exactly know what picture of them is taken. And then the screens turn off. This body of work is about dehumanisation, vulnerability, and distant relationships; the difficulty of bringing intimacy and being in contact with the otherness and the eagerness to please. The camera, the different rooms, the screen, become an observation box of these casual men. It questions the desire to be looked at, by scrutinizing their physical though virtual presence – it being impressive or elusive, desirable or made of mixed feelings. It also suggests the tiredness of having to exist in the other’s eyes as an object of desire. Thereby, this series also questions the viewer-voyeur role of the audience. While the low-fi aesthetics of the work refers to functional images one could find and use by using social media or other meeting apps.