Life and Death - Mexican Rhapsody
by Giuseppe Cardoni

portfolio special mention call 'SACRED. THE EXPERIENCE OF BEYOND', 2019

'Life and Death - Mexican Rhapsody Praying' seems to be the last of thoughts in Mexico, where mourning is exhibited with sounds, costumes, music, dances, colors but also with disturbing masks and presences as if to make fear and restlessness familiar and friendly. On the day of the Dead, cemeteries are an explosion of life. Sacred and profane, just as life and death touch each other, until they coincide. In pre-Columbian civilizations the idea of death was connected to the concept of rebirth, an alternation that guaranteed the cosmic order and therefore a fundamental and necessary passage. The Spaniards and the Church resolved the issue by relegating it to the "pagan rites" category. To hide, or worse. But tradition is stronger than anything and wants that, in the Dìa de los muertos - in fact, the events go from October 31 to November 2 -, the deceased return from the underworld to embrace friends and relatives.

So why be sad? The cemeteries become meeting places, decorated, full of food and drinks, so that the dear extinct who returns, can refresh and feel at home. There are those who light candles (there is a point of light everywhere), those who spend the whole night on the tombs, eating, talking, playing, dressing up, parading in processions with carnival masks. Exorcising death with fun and joy is a constant in pre-Columbian cultures, but not only. After all, it is said so: to die laughing. It is not a symptom of lightness, but the proof that man laughs to ward off death. Death, not the dead. Which are closer than ever.

As the poet Paul Claudel wrote: «Death does not exist ... I just went to the next house what I have been for you I always will be. Call me as you always called me Talk to me like you've always done Don't use a different tone, do not look solemn or sad Keep laughing at it we laughed together ... Life remains what it has always been The thread is not cut Why would I be away from you? Maybe because you don't see me anymore? No, I'm not far. I am just across the street.» 
- Luca Cardinalini, RAI journalist


share this page
   also from SACRED. THE EXPERIENCE OF BEYOND
portfolio
Construction of the sacred: verticality
Pietro Rosso
portfolio
Ascension
Yiannis Hadjiaslanis
portfolio
Le Chaos et l'Étoile Dansante
Louis Saint-Rose
portfolio
Ultima
Aurore Dal Mas
portfolio
Toward / Away
Beth Herzhaft
portfolio
The Edge of Some Dream
Garrett Grove
portfolio
The Cave
Joan Alvado
portfolio
12 Sundays
Polyvios Kosmatos
portfolio
Right to believe
Fyodor Telkov
portfolio
Somewhere among us a stone is taking notes
Gin Rimmington Jones
portfolio
wet rocks, warm light
Silvia Palmi
portfolio
Sleight
Luke Harby
portfolio
Forbidden (promised) Land
Adriano Zanni
portfolio
Santabarbara
Simone D'Angelo
portfolio
Churches of Zulawy
Maciej Leszczynski
portfolio
A Ley Line Track
Lieven Neirinck
portfolio
Sol Invictus
Catalina Isabel Nucera
portfolio
Modern Love
Benoit Chailleux
portfolio
Rites of passage
Francesca Lucchitta
portfolio
When The Pleiades Arise
Ivan Terranova
portfolio
Something Watching You
Ranita Roy
portfolio
Surrounded Everywhere by the Sea
Marion Belanger
portfolio
Voci Fuori Campo
Lisa Di Donato
portfolio
Aching or hugging
Renate Kossmann
portfolio
Drowned deep bells
Luca Tavera
portfolio
EX CORPORE
Valerio Conti
portfolio
Dakota C47
Arnaud Teicher
portfolio
AGARTHI
Gian Marco Sanna
portfolio
ASNAM
Georges Salameh
portfolio
Christus_DEL
Mirko Viglino
portfolio
Jubilee People
Carlo Ausili & Tommaso Gianferro
portfolio
Ascetic Isolation
Filippo Zadra
portfolio
of the sacred and the domestic
Desirée Grunewald
portfolio
In Mexico Death is dancing
Gisela Weimann
portfolio
Not in Happiness, nor in Sorrow am I found.
Kurt Deruyter
portfolio
Places of Worship
Mark Sawrie
portfolio
The Cave
Maria Kokunova
portfolio
Possibility of life and consciousness within rock
Zoë Sluijs
portfolio
Community of existence
Tinko Czetwertynski
portfolio
An investigation on transcendence, pt1
Victor Schnur
portfolio
I'll send you a postcard from Heaven
Emile Kees
portfolio
Sanctuary
Filippo Boccini
portfolio
Abandoned Gods
HanShun Zhou
portfolio
EDICOLE, MARIA
Alessandro Furchino Capria
portfolio
J.W. Fike's Photographic Survey of the Wild Edible Botanicals of the North American Continent; Plates in Which the Edible Parts of the Specimen Have Been Illustrated in Color
Jimmy Fike
portfolio
Fuochi Fatui
Paolo Bianchi
portfolio
Are You There
Kelly O'Brien
portfolio
The mermaids inside
Sebastiano Raimondo
portfolio
Storefronts and Synagogues
Rob Stephenson
portfolio
Autobahnkirchen / Highway Churches in Germany
Klaus Michael
portfolio
Full Of Grace
Willy Vecchiato
portfolio
Little Chapel Compositions
Alexis Vasilikos
portfolio
Quatrani
Danilo Garcia Di Meo
portfolio
Zagreo
Maria Cristina Comparato
portfolio
Changing Landscape
Barbara Rossi
portfolio
Acquasanta
Chiara Scardozzi
portfolio
Volta
Max Romanenko
portfolio
Frigga, a witch story
Mascha Joustra
portfolio
The spider's house
Daria Nazarova
portfolio
Traces
Valentin Sidorenko
portfolio
KETO -Goddess of the Sea
Clare O Hagan
portfolio
Origin[Redux]
Joaquin Palting
portfolio
New Topography of Creed
Alessandro Varacca
portfolio
Where You Come From is Gone
Jared Ragland
portfolio
Losing My Religion
Efthymios Voudris
portfolio
T. (The Problem of Seeing)
Christopher Pryor
portfolio
Willow
Chris Lee
portfolio
PET CEMETERY
Stanley Banos
portfolio
Heavens
Natascha Kuederli
portfolio
Alte vie
Stefano Canetta
portfolio
Medhelan
Giacomo Alberico
portfolio
Correspondance
Sébastien Arrighi
portfolio
Seoul Cathedrals
Manuel Alvarez Diestro
portfolio
Paradise Tree
Flaviana Frascogna
portfolio
Saeta
Curro Rodriguez Sanchez
portfolio
Pessulum
Harold Diaz
call
SACRED. THE EXPERIENCE OF BEYOND