In this research, the landscape is evoked through the observation and awe of elements that draw on the rural tradition of the Marche Apennines, the memory eroded by the winds like brittle rock, the need to stop the passage of time, and to retain those traces, those mythopoetic signals still proposed by reality. We look for the absolute everywhere, and wherever we find only objects, things are no longer surprising. Taking pictures then becomes awareness, the restless beginning of a journey to an unknown territory. But the inventory of what? "Certain things", that is, certain things, of which we verified the certainty with the mental attitude of the scribe, of the one who humbly transcribed the facts while cradled the utopia—hanging on the hope that through this recording, he could reach a dimension prophetic, to identify in which event a kerygmatic force hides, the revelation, the unveiling of the mystery.