FABIO BARILE. AN INVESTIGATION OF THE LAWS OBSERVABLE IN THE COMPOSITION, DISSOLUTION AND RESTORATION OF LAND
Matèria
Rome, Italy
16.03.2017 - 11.05.2017

Info HERE

CONNECTING THE DOTS WITH ALEC SOTH

by Nathalie Vissers

«He is a man that doesn’t fall back into clichés, always searching, changing and moving. Always finding different topics and new ways to photograph them.»

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United States
23.02.2017

RAUBENPROJECT. TUTTI VOGLIONO TUTTO
Fonderia 20.9
Verona, Italy
11.03.2017 - 08.04.2017

Info HERE

TERESA LEMME. A COMMON REASON

by Dieter Debruyne

«I take photos to see what’s on my mind.»

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Germany
20.02.2017

HELEN SEAR
Klompching
New York, United States
22.02.2017 - 01.04.2007

Info HERE

ISABELLE HAYEUR. DESERT SHORES

by Eleonora Milner

«My work examines the relation between nature and culture in a world where their (false) opposition is the dominant ideology that still structures Western societies.»

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Canada
13.02.2017

ANDREW BOROWIEC. 30 YEARS IN THE RUST BELT

by Thieu Riemen

«Ideally, my photos convey a lot of information. They are packed with details that might not be apparent at first, but that ultimately inform, complicate, and sometimes subvert the picture’s meaning.»

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United States
13.02.2017

KLAUS FRUCHTNIS. EDUCATION, PHOTOGRAPHY AND IMAGE-MAKING

by Steve Bisson

«I believe that listening and understanding stories is as important as telling them. I attach importance to both elements, and encourage our students to be good at both.»

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France
09.02.2017

BECAUSE IT'S IN MY NATURE
MI Galerie
Paris, France
22.02.2017 - 01.04.2007

Info HERE

ALEC SOTH. GATHERED LEAVES
FOMU
Antwerp, Belgium
17.02.2017 - 04.06.2017

Info HERE

YULI GORODINSKY. AN IMMIGRANT'S GAZE

by Irith Gubi

«I think that it was Susan Sontag who wrote that all photographers are people who were robbed of their childhood. I always related to that sentence.»

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Israel
31.01.2017

BECAUSE IT'S IN MY NATURE. A BELGIAN WAVE

by Steve Bisson

Urbanautica in Paris to present at MI Galerie the exhibition of Belgian artists: Isabel Devos, Lieven Lefere and Jasper Léonard

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Belgium
27.01.2017

BARBARA BENISH. ART MAKES CHANGE

by Polina Shubkina

"Usually, I am working on about five projects simultaneously. The one I am very interested in right now is the new video work, that's going to be dealing with Standing Rock, what's happening now at the Dakota protest. My work has gotten a lot more socially and politically engaged, this one is super radical."

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Czech Republic
26.01.2017

SUSANNAH SAYLER ON CANARIES, CLIMATE CHANGE AND COLLABORATION

by Gary Green

«Producing the bus ads was a transformative moment for the project because we understood at that point that we needed to collaborate with other people and foster other projects in order to reach broader audiences.»

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United States
19.01.2017

LIN XUECONG. A LOST OF RELIGION

by Sheung Yiu

«People are digging meters-deep holes everywhere, if you are not careful, you can be drown in quicksand. I saw a lot of dead pigs floating in the river.»

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China
17.01.2017

EXT. - INT. RAIMOND WOUDA NEW BOOK

by Luciana Benaduce

«The hardest part is working on my own, while simultaneously that is also the best part. Sometimes it can get lonely, but on the other hand it also gives you a kind of focus.»

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The Netherlands
16.01.2017

A SYSTEMATIC PORTRAIT OF NIKOLAS VENTOURAKIS

by Lina Manousogiannaki

«Cyprus is a place where I believe everything going on in Europe is being compressed for decades. Borders, identity, history, everything! What happened with defining lines is that due to technology I could visualise borders like an augmented reality.»

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Greece
10.01.2017

JEAN-FRANÇOIS HAMELIN. LA POINTE

by Eleonora Milner

«What interest me with photography is the fact that it is an extremely powerful tool in its capability to render a certain depiction of the “real”. The unicity and particularity of the medium lies in this specificity.»

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Canada
14.12.2016

KOSTAS KAPSIANIS. A COMMON STORY

by Georges Salameh

«Shooting with a large format, other than quality, it gives you the opportunity to really think about what you want to do, why you do it, and how much truth is involved.»

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Greece
12.12.2016

NATHALIE BLANC. FORM, ART AND THE ENVIRONMENT

by Polina Shubkina

«I think that environmental artists are mainly dealing with something that you could call the political regime of art, not the aesthetic regime of art anymore.»

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France
08.12.2016
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